Emusha

The allure of essential oils often lies in the desire to connect the body and mind. Our mental and physical wellbeing are more intrinsically linked than we frequently suppose. Harmony in the body provides peace in the mind. Lavender oil is an excellent example of the connection between body and mind. It is used to soothe anxiety and holistically treat minor burns and cuts. For mental clarity and pain relief, a few drops of Rosemary oil can reinvigorate wellness.

What many first notice when exploring essential oils is the aroma. The fragrant notes captivate the senses and can spark emotions or feelings. Smell is the most sensitive of the five senses and studies show that nearly 75% of emotions are prompted by scent. Traveling internally through the olfactory cells, aroma interacts with the limbic system and delivers an emotional response. Our Balance blend is especially soothing when gently inhaled.

Even essential oils that are absorbed by the skin exude an aroma that interacts with the limbic system. Take a second, and try to recall the smell of your childhood bedroom, favourite perfume or first Thanksgiving. Do any emotions arise? The feelings evoked by essential oils are extraordinarily powerful.

History And Meaning Of Emusha

Varaha emusha is the avatar of the Hindu god Vishnu who takes the form of a boar to rescue goddess earth. Varaha is listed as third in the Dashavtara, the ten principal avatars of Vishnu.

In a symbolic Hindu Mythology when the demon Hiranyaksha tormented the earth (personified as the goddess Bhudevi) and its inhabitants, she sinks into the primordial waters. Vishnu took the form of the Varaha,emusha descended into the depths of the oceans to rescue her. Varaha slew the demon and retrieved the Earth from the ocean, lifting her on his tusks, and restored Bhudevi to her place in the universe.

Varaha may be depicted completely as a boar or in an anthropomorphic form, with a boar’s head and human body. The rescued earth lifted by Varaha is often depicted as a young woman called Bhudevi. The earth may be depicted as a mass of land balanced on his tusk.

emusha has four arms, two of which hold the Sudarshan Chakra (discus) and Shankha(conch), while the other two hold a gada(mace), a sword, or a lotus or one of them makes the varadmudra (gesture of blessing). Varaha may be depicted with all of Vishnu’a attributes in his four hands: the Sudarshana chakra, the shankha, the gada and the lotus.

This symbolizes that just warriors must protect the weak and the bearers of all forms of knowledge and that the gods approve of and cheer on the rescue.

in the beginning, there was water everywhere. There was nothing to eat and nowhere to live. Prajapati, the divine patriarch, father of the gods and demons saw the plight of his children and invoked Devi.

The goddess whispered into his ear, “The earth lies trapped under the water. Raise it up.”Prajapati took the form of a mighty boar called Emusha, plunged into the sea and found the earth-goddess Bhoodevi on the ocean floor. Placing her on his snout, he gently raised her to the surface.Prajapati then turned into Akupara, a giant turtle and offered Bhoodevi a seat on his back.earliest reference to the boar called Emusha Varāha is found in the Rig Veda.

The Varaha panel in Cave 5 is one of the most studied reliefs from the Gupta Empire era. It narrates the Hindu mythology about a man-boar avatar of Vishnu (Varaha) rescuing goddess earth (Bhudevi, Prithivi) from the depths of cosmic ocean.

Thus emusha protect earth in every form……let us protect ourselves from negative impacts and have healthy calm peaceful focussed active cheerful life which is full of energy with emusha range of essential oil

The emusha the eight molecule….range of premium essential oil

So after knowing about emusha let us know what’s this eight molecules stands for….

The 23,040 breaths we take each day are the most powerful yet perplexing route to our emotional memory.

precisely what science historian Diane Ackerman explores in A Natural History Of the Senses (public library), her 1990 prequel to the equally fantastic A Natural History Of the Love. Ackerman, who also happens to be a spectacular poet and the author of the gorgeous cosmic verses that Carl Sagan mailed to Timothy Leary in prison, paints the backdrop of this perplexing and unique sensory experience:

Our sense of smell can be extraordinarily precise, yet it’s almost impossible to describe how something smells to someone who hasn’t smelled it… We see only where there is light enough, taste only when we put things into our mouths, touch only when we make contact with someone or something, hear only sounds that are loud enough to hear. But we smell always and with every breath. Cover your eyes and you will stop seeing, cover your ears and you will stop hearing, but if you cover your nose and stop smelling, you will die.

Each day, we breathe about 23,040 times and move around 438 cubic feet of air. It takes us about five seconds to breathe — two seconds to inhale and three seconds to exhale — and, in that time, molecules of odour flood through our systems. Inhaling and exhaling, we smell odour. Smells coat us, swirl around us, enter our bodies, emanate from us. We live in a constant wash of them. Still, when we try to describe a smell, words fail us like the fabrications they are…

The charm of language is that, though it is human-made, it can on rare occasions capture emotions and sensations that aren’t. But the physiological links between the smell and language centers of the brain are pitifully weak. Not so the links between the smell and the memory canters, a route that carries us nimbly across time and distance.

Indeed, that route is a greater shortcut to our cognition and psychoemotional circuitry than any of our other senses can offer. Ackerman outlines the singular qualities of our smell-sensation that set it apart from all other bodily functions:

Smell is the most direct of all our senses. When I hold a violet to my nose and inhale, odour  molecules float back into the nasal cavity behind the bridge of the nose, where they are absorbed by the mucosa containing receptor cells bearing microscopic hairs called cilia. Five million of these cells fire impulses to the brain’s olfactory bulb or smell centre. Such cells are unique to the nose. If you destroy a neuron in the brain, it’s finished forever; it won’t regrow. If you damage neurons in your eyes or ears, both organs will be irreparably damaged. But the neurons in the nose are replaced about every thirty days and, unlike any other neurons in the body, they stick right out and wave in the air current like anemones on a coral reef.

That’s also what makes perfumes so powerful — if you’ve ever walked into a crowded room and instantly experienced a pang of emotion as you thought you smelled your ex, or your mother, or your third-grade teacher, you’ve had a first-hand testimony to the potency of smell as a trigger of emotional memory. Ackerman explains:

A smell can be overwhelmingly nostalgic because it triggers powerful images and emotions before we have time to edit them… When we give perfume to someone, we give them liquid memory. Kipling was right: “Smells are surer than sights and sounds to make your heart-strings crack.”

What’s perhaps most extraordinary is that scent lodges itself largely in the long term memory system of the brain. And yet, we remain inept at mapping those links and associative chains when it comes to describing smells and their emotional echoes. To shed light on how perfumery plays into this paradox, Ackerman offers a taxonomy of the basic types of natural smells and how they became synthetically replicated, unleashing an intimate dance of art, science, and commerce:

All smells fall into a few basic categories, almost like primary colours: minty (peppermint), floral (roses), ethereal (pears), musky (musk), resinous (camphor), foul (rotten eggs), and acrid (vinegar). This is why perfume manufacturers have had such success in concocting floral bouquets or just the right threshold of muskiness or fruitiness. Natural substances are no longer required; perfumes can be made on the molecular level in laboratories. One of the first perfumes based on a completely synthetic smell (an aldehyde) was Chanel No. 5, which was created in 1922 and has remained a classic of sensual femininity. It has led to classic comments, too. When Marilyn Monroe was asked by a reporter what she wore to bed, she answered coyly, “Chanel No. 5.” Its top note — the one you smell first — is the aldehyde, then your nose detects the middle note of jasmine, rose, lily of the valley, orris, and ylang-ylang, and finally the base note, which carries the perfume and makes it linger: vetiver, sandalwood, cedar, vanilla, amber, civet, and musk. Base notes are almost always of animal origin, ancient emissaries of smell that transport us across woodlands and savannas.

And so we get to the actual science of smell — what actually makes us have an olfactory experience, and why we often confuse those with taste:

We need only eight molecules of a substance to trigger an impulse.

in a nerve ending, but forty nerve endings must be aroused before we smell something. Not everything has a smell: only substances volatile enough to spray microscopic particles into the air. Many things we encounter each day — including stone, glass, steel, and ivory — don’t evaporate when they stand at room temperature, so we don’t smell them. If you heat cabbage, it becomes more volatile (some of its particles evaporate into the air) and it suddenly smells stronger. Weightlessness makes astronauts lose taste and smell in space. In the absence of gravity, molecules cannot be volatile, so few of them get into our noses deeply enough to register as doors. This is a problem for nutritionists designing space food. Much of the taste of food depends on its smell; some chemists have gone so far as to claim that wine is simply a tasteless liquid that is deeply fragrant. Drink wine with a head cold, and you’ll taste water, they say. Before something can be tasted, it has to be dissolved in liquid (for example hard candy has to melt in saliva); and before something can be smelled, it has to be airborne. We taste only four flavours: sweet, sour, salt, and bitter. That means that everything else we call “flavour” is really “odour.” And many of the foods we think we can smell we can only taste. Sugar isn’t volatile, so we don’t smell it, even though we taste it intensely. If we have a mouthful of something delicious, which we want to savour and contemplate, we exhale; this drives the air in our mouths across our olfactory receptors, so we can smell it better.

So Eight molecules are required to start our journey of emotional well-being through aromatherapy….so Emusha always carry eight molecules to make u emotionally mentally strong calm and confident.